Impresario: 🧑🏿lnq | © ISSN 2165-6738
uuelcoME :== STU-
sequence
/// +This one big string of bytecode includes all fibor [fugue = stews, MONEY, bubblegum] - itself an address space superset, outputted as a cassette (toy), and bootloaded by lnq🧑🏿.
+Sequencing something (iterative consecution) inductively means that it gets streamed [:== framework (+runtime) implementing system calls], which inherently implies achievement unlocking🔓.
(see
UUe,
quantumquotient [
conductor],
Stewniverse,
steWAR🪖🎮-🏳,
Stewpot,
🧑🏿lnq,
Funshine/Toonlight (song),
The Origamic Symphony🎶,
stewellis,
UUhistlegrass,
touch-and-go,
"Egglepple, everywhere!",
"uuelcoME, anywhere :)",
cassette🧱,
Stewc Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural information - in this case, stews]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome' (gene + chromosome). The top-level domain [uuelco.ME] is, in part, indicative of this being my thing (about 'me' :== my stream), so, that's why I named it that way.🙂
+As part of neuromorphic machinery (ie. biological abstraction), UUe would be the cell, and UUelcome the cassette🧱 that auctions/orchestrates its contents. In terms of computing, uuelcoME :== master boot record embedded into every cell.
+With all fonts classified👍, any mesh becomes stereotypable (ie. polymers can be modeled for print), exploiting a composite image of Egglepple.
 Trivia: Before I settled on the name 'uuelcoME', I had contemplated calling it 'fun:musicbook'. My vision was that it was always going to be an album of some sort of music (in this case, mathemusic). The 'fun' bit had/has to do with the FUN Formula.
///end trivia
My pro-am start was as a ctf🏁 gamer. This parlayed into what amounted to taking on group puzzles🧩[h], which led me to managing teams of participants. This is the reason I doubled-down on creating my own stream - because I figured that it would be more economical to devise a platform where anybody + everybody could access low-entry 🏁CTFs at will.
The jukebox runs an auction, but supplementing monetization of the proof (pure mathematics is darn near impossible to make money from without sponsorship -- aside: yesteryear, I had a girlfriend whom I once told I was going to 'sell' math for a living, she dumped me the next day😂) is the basic reason gamification exists here in the first place.
The actual stream itself succeeded an earlier attempt of mine in television production - a show called Egglepple: The Mathemagical World. This was me trying to be technical and lamely/gnarly impress the academics of a small college town (resulting in me learning more than I actually output), and I never truly found my audience (note: that program aired on public access television, a narrowcast market).
Production-wise (especially the Funshine🌞 episodes), I was influenced heavily by the arcade machines I was around during my time spent squatting in local Missoula 🎲casinos🎰. Another inspiration came from the dual-formatted game master series, Video Power, as well as scenes from the 1989 film, The Wizard - especially the Super Mario Bros. 3 tournament showcase where the kids/contestants play the game for the very first time anywhere, even before consumers.
Historians note this as a huge moment in cinematic history, where a movie basically served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my 🧩puzzling (ctf🏁) in a similar albeit mobile📱 fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow.
The main purpose for designing the stream to be openworld is so that there can exist an unintrusive way to acquire as large as possible clientele on the network, thereby creating the game engine@ to train our model, which aids in QQ exploitation and ultimately neuronal🧑🏿🦠 dev. Although UUelcome is traditionally a recital (demonstrative by default), itself being a contract incentivizes outside participants with a reward function.@@ Parimiutuelity helps to build the distributed superomputer, whose node-to-node proximity is an alternative to the cloud.
My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other decorations, makes the nature of a gameshow the perfect fit.
|
"Is there anyone else in the game?!" - 🧑🏿lnq
It
^ is a
ctf* hashing& 🧑🏿lnq's walk.
^^ This so-called 'jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are
identified as
0-bubbles. (see
Stewc Lemma,
uuelcoME License,
opera ludo,
krayon,
🧑🏿lnq's Requiem,
Pink Poem,
KOALA🐨,
toonage,
Funday,
treble,
vendor,
merchant,
Black and White,
crypto compliance,
stewc notation)
/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; uuelcoME is 🧑🏿lnq's logic/instinct and signature.
+Performance-wise, uuelcoME is an opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.
Function map:
quantumquotient ←
stewcing ←
uuelcoME →
cassette🧱 ⇔
lnq🦠 →
cell
