/'Magic Jukebox' announcement 1

Putting together a featurette (film) about my jukebox, UUe. This is currently in the planning stages, but I'd like to share some ideas right here and now.

I'm trying to move away (in real life) from my avatar's extremely juvenile look-and-feel which has been a strand in how all things Stewniversal are presented. ie., I want a more adult/grown-up delivery in contrast to the perpetuated k-mode. Ironically, it's that style that defines Egglepple, on which all off this stuff is based. So, an option would be to just limit the avatar to the Kindergarten, or, ..not. That's where this featurette idea comes in.

I think that part of the confusion people have when visiting the jukebox is how seriously to take it because it looks like a toy for kids, versus being a public utility (note: it's not quite there yet, but I realize that it may never get there if people don't know how to use it). I've been told over and over again in demonstrations (as far back as pre-launch demos in 2006) that the string theory element doesn't come across well, even though it's designed to simplify the most arcane puzzle in the most relateable terms.

In order to deliver this message sufficiently - which is crucial to its sustainability, it needs to be presented in a long-form commercial, very similar in spirit to what Nintendo did with Super Mario Bros. 3 in the movie The Wizard. I really liked🙂 that movie because the formula worked so well, and that's something I want to mimic here. An outline of my story (a simulacrum) is of a fledgling gameshow (UUelcome) host who is struggling to grow the production, and then he takes it to a 'magical' realm that exploits the Kindergarten (led by the avatar, no less). In the end, everybody everywhere understands it, and everyone goes home a winner.

Those are just some thoughts about 'Magic Jukebox'. Right now, I don't have a script, a budget, or a crew. Plus, I have other stuff that I'm working on in the meantime.

/new slogan - "Get walking."

'Get walking.' is a new slogan for UUe. The 'walking' portion is indicative of random walks, the so-called (programming) language of juking.

/UUe [automata]

"I have a magic jukebox." - 🧑🏿lnq

Inventor: 🧑🏿Link Starbureiy | License: UUelcome
UUe® (aka 🧑🏿lnq's jukebox) :== client for stew choreography^{^}. In streaming The Origamic Symphony🎶, it auctions + dispenses^@ stews.^~ ^^ Stereotype:=sequence+print. @@ A function of fugue extensibility. ~~ server actions

UUe is a kind of abstract cell. This [26-brane] automaton is an organic development from attempting to prove Q♭, a deep math 🧩puzzle* rooted in random walks. Two (2) genera abstractions are: a kernel for mathematical modeling (of auction theory applied to twistorspaces), and a method of compliance.** An over-simplified explanation of the problem is: if you take a really long (but finite) tape and split it into some countable number of smaller branes, how does that effect the computability of the tape itself?

/// +UUe was originally an acronym for 'United Under economy',later changed to 'united under Egglepple'. It no longer is an acronym; it's just 'UUe' (pronounced like "whee"). However, both 'United Under economy' and/or 'united under Egglepple' are still applicable.
+UUe - a mathematical model - qualifies as a jukebox by its rotisserie, with internal operations similar to those of a cell. Realization of its utility happens via the Stewdio.
+Because u-u economics mandates that clientele in the (u-u) scheme is part of a supply chain, UUe functions like a vending machine.
+lnq is the (official) mascot of UUe. This is "🧑🏿lnq's Jukebox".
+In gameplay, UUe is the house🏠.

united under Egglepple™| united under Egglepple is the unofficial (yet formal) name for UUe. This is the kernel orchestrating u-u economics - systematic configuration* of the payload by auctioning^% fibor(s) from the portfolio: [SSS = (micro) through UUU = (macro)], which leverages stewc taxation.%% A necessitation of compliance. This is to say that the whole of Egglepple (particularly the nuts) is 'statistically united'; a parimutuel system is extensible and potentially twistable (u,u).

Server operations are shelled using tokenage* for auctioning and gameplay.** Kernel development is an organic reaction to gameplay. Ludologically, this conversely implies that all disjoint games are variant. Put another way, yesegalo and 🍄meshroom are self-synthetic. (see UUelcome, u-u economics, .uue, UUe interface, Juke Lemma, patch, Pink program, braine🧠🗂, Quantumquotient, DUCC🦆, #recital, Stewdio)
/// It was originally a trust that has since morphed into something much more sophisticated; a shift similar to Egglepple being re-appropriated into the the jukebox.

dependencies

parsing

storage

catalysis

Function map: UUe ↔ UUelcome → Pajamas

/Stewart

Composer: Link Starbureiy

opéra-ballet

[development]

Stewart℗ is the ring of all six-hundred seventy-six (676) developii^# in their entirety*. An puzzle dispenser, its subject^{^} is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)

/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. +Here, the word 'Stewart' signifies "the art of stew choreography". On an historical note, the opera was originally called Stewart's Opera. Technically, it should be classified as an opéra-ballet because each opus is its own ballet. +We define 'fitness' as the ability to transfer currency across twistor space. Here, it implies a quotient normalization, particularly on the handicap.

This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.

An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.

So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.

These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.

Sample key combinatorics here:

Keypad

#	A	B	C	D	E	F	G	H
I	J	K	L	M	N	O	P	Q
R	S	T	U	V	W	X	Y	Z

As the prime directive of the jukebox, Mathilda™ is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)

This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple.

Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string

To do this, we progress through three (3) parts: the opening, middlegame, and endgame.

The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).

To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).

You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome

/uuelco.ME™ [8-qubits]

Impresario: 🧑🏿lnq | © ISSN 2165-6738

uuelco.ME :== STU-sequence
/// +This one big string of bytecode includes all fibor [fugue = stews, MONEY, bubblegum] - itself an address space superset, outputted as a cassette (toy), and bootloaded by lnq🧑🏿.
+Sequencing something (iterative consecution) inductively means that it gets streamed [:== framework (+runtime) implementing system calls], which inherently implies achievement unlocking🔓.
(see UUe, quantumquotient [conductor], Stewniverse, steWAR🪖🎮-🏳,Stewpot, 🧑🏿lnq, Funshine/Toonlight (song), The Origamic Symphony🎶, stewellis, UUhistlegrass, touch-and-go, "Egglepple, everywhere!", "uuelco.ME, anywhere :)", cassette🧱, Stewc Lemma)
/// +(vocabulary) To a large respect, the word is a portmanteau of 'UUe' and the suffix '-ome' [totality of expressed dynamics, function, and structural information - in this case, stews]. Systematically, the word 'uuelcome' has artificial/manufactured congruence to 'genome' (gene + chromosome). The top-level domain [@uuelco.ME] is, in part, indicative of this being my thing (about 'me' :== my stream), so, that's why I named it that way.🙂
+As part of neuromorphic machinery (ie. biological abstraction), UUe would be the cell, and uuelco.ME the cassette🧱 that auctions/orchestrates its contents. In terms of computing, uuelco.ME :== master boot record embedded into every cell.
+With all fonts classified👍, any mesh becomes stereotypable (ie. polymers can be modeled for print), exploiting a composite image of Egglepple.

Trivia: Before I settled on the name 'uuelco.ME', I had contemplated calling it 'fun:musicbook'. My vision was that it was always going to be an album of some sort of music (in this case, mathemusic). The 'fun' bit had/has to do with the FUN Formula. ///end trivia My pro-am start was as a ctf🏁 gamer. This parlayed into what amounted to taking on group puzzles🧩[h], which led me to managing teams of participants. This is the reason I doubled-down on creating my own stream - because I figured that it would be more economical to devise a platform where anybody + everybody could access low-entry 🏁CTFs at will. The jukebox runs an auction, but supplementing monetization of the proof (pure mathematics is darn near impossible to make money from without sponsorship -- aside: yesteryear, I had a girlfriend whom I once told I was going to 'sell' math for a living, she dumped me the next day😂) is the basic reason gamification exists here in the first place. The actual stream itself succeeded an earlier attempt of mine in television production - a show called Egglepple: The Mathemagical World. This was me trying to be technical and lamely/gnarly impress the academics of a small college town (resulting in me learning more than I actually output), and I never truly found my audience (note: that program aired on public access television, a narrowcast market). Production-wise (especially the Funshine🌞 episodes), I was influenced heavily by the arcade machines I was around during my time spent squatting in local Missoula 🎲casinos🎰. Another inspiration came from the dual-formatted game master series, Video Power, as well as scenes from the 1989 film, The Wizard - especially the Super Mario Bros. 3 tournament showcase where the kids/contestants play the game for the very first time anywhere, even before consumers. Historians note this as a huge moment in cinematic history, where a movie basically served as a longform commercial for a single product/event - the release of a video game🎮 (and the planted germ of e-sports). I present my opera (ctf🏁) in a similar albeit mobile📱 fashion (ie., via demonstrative elements), thus leading me to view the whole world as a gameshow. The main purpose for designing the stream to be openworld is so that there can exist an unintrusive way to acquire as large as possible clientele on the network, thereby creating the game engine@ to train our model, which aids in QQ exploitation and ultimately neuronal🧑🏿🦠 dev. Although uuelco.ME is traditionally a recital (demonstrative by default), itself being a contract incentivizes outside participants with a reward function.@@ Parimiutuelity helps to build the distributed superomputer, whose node-to-node proximity is an alternative to the cloud. My view of 💲money is somewhat skewed; I think a person should make it to the end of their life completely (or near completely) exhausted of energy (ie. money = energy). Since I don't actually sell anything, per se (the jukebox runs an auction on its native cryptocurrency), but serve as the house when it comes to transactions, giveaways as prizes along with other decorations, makes the nature of a gameshow the perfect fit.

"Is there anyone else in the game?!" - 🧑🏿lnq

It^ is a ctf* hashing^& 🧑🏿lnq's walk.^^ This so-called 'jukebox recital' and the formulation of contemporary mathemusic are inventions of 🧑🏿Link Starbureiy.🤓 ** Featuring a bid-ask spread in a greedy auction where threads are maximized [flag = thread(max)] (ie. exhaustion of all 676 ports before a new cycle🔄 of the runtime). && abi threading Flags🏁 are identified as 0-bubbles. (see Stewc Lemma, uuelco.ME License, opera ludo, krayon, 🧑🏿lnq's Requiem, Pink Poem, KOALA🐨, toonage, Funday, treble, vendor, merchant, Black and White, crypto compliance, stewc notation)
/// +For all intents and purposes, this is what I mean when I say that "I op(erate) a jukebox"; uuelco.ME is 🧑🏿lnq's logic/instinct and signature.
+Performance-wise, uuelco.ME is an opera ludo. When I stream it solitaire, it's a recital . When shared for playalong (orchestra), it aims to be a sport.

Function map: quantumquotient ← stewcing ← uuelcoME → cassette🧱 ⇔ lnq🦠 → cell