/Stewart

Composer: Link Starbureiy

opéra-ballet

[development]

Stewart℗ is the ring of all six-hundred seventy-six (676) developii^# in their entirety*. An puzzle dispenser, its subject^{^} is rooted in BOT, thus allowing game logic to sort (via endpoint control) the portfolio (at stews) for the fitness of lnq and his walk.Each opus is a ballet. Decrypted and encrypted. Egglepple (see also lnq's Starting Five, developus, fugue, Stewniverse, Mathilda, RONALD, UUallet, creatures)

/// +This is only an 'opera' in the sense of it being a collection of opuses. We compensate for slack with the developus. +Here, the word 'Stewart' signifies "the art of stew choreography". On an historical note, the opera was originally called Stewart's Opera. Technically, it should be classified as an opéra-ballet because each opus is its own ballet. +We define 'fitness' as the ability to transfer currency across twistor space. Here, it implies a quotient normalization, particularly on the handicap.

This is how it will play out in rotisserie mode:
Gameplay is a continuous event; each game is it own finite runtime (opus) of the opera.

An opus is dyadic (u,u), and labeled corresponding to the start and stop leaves (verso/recto) of its string (yesegalo). In order to distinguish an opus, it is given a numerical value of its stew count, and additionally, the total weight of those cells.

So, for instance, in our example, #EX.100 [888], E (start) and X (stop) are the leaves, 100 is the stew count, and [888] is the font weight.

These alphanumeric values can be adjusted on the operatic dialpad, which, when called (select: opera button), overlays the rotisserie.

Sample key combinatorics here:

Keypad

#	A	B	C	D	E	F	G	H
I	J	K	L	M	N	O	P	Q
R	S	T	U	V	W	X	Y	Z

As the prime directive of the jukebox, Mathilda™ is UUe's platform for making tempo adjustments. Its libretto is UUhistlegrass. (see also lnq's Starting Five, Stewart, RONALD, UUallet, tip)

This is a suite for all of the ballets in performance of The Origamic Symphony. The suite speaks to/covers the quaternary structure of Egglepple.

Mathilda™ hosts various extension* paradigms. This is an umbrella for all jukebox-related ballets in performance of stew choreography. Existentially, these activities encourage an ecodiversity of random coil for polynomial efficacy.Namely bubblegum, link, and spots.
Here's how the ballet will flow in rotisserie mode:
UUe's ludology revolves around folding string. More precisely, how to obtain a completely closed circuit (0b) from an open string

To do this, we progress through three (3) parts: the opening, middlegame, and endgame.

The opening is what concerns us here. Optionally, we may enter a string orientation (which confines its twistor space), called random coil. I personally call it 'scribble', because, since it can assume any shape, that's what it looks like drawn out. The important thing to remember, however, is that coil cannot cross/intersect in two dimensions (2d) (we use stew choreography instead). Note, though, that there actually is strategy involved in random coil design (hence, it's not truly random).

To input a random coil, we simply draw it in the space to the left of the 'juke' button on the rotisserie. Conversely, this space will also output (show) a result (fibor).

You can actually 'dance', so to speak, right now in Euclidean space (3D). The Stewdio's API is functional (but only for Web), you would just have to supply the hardware.
Function map: Mathilda ↔ Stewart → UUelcome

/Stewdio (hashtable)

Designer: 🧑🏿Link Starbureiy
Stewdio™ (stew+digital+i/o) :== the gameframe behaving as uuelco.ME's native hashtable for qubing.

/// More accurately, for choreographing stews (stewcing).
A multi-user domain (MUD), its virtual methodology comes standard (fixed) with the following quadriptych: Mathilda [keyframing/phrasing = pencils✏️ (generation/metronome) + STU (sequencer/coloring) + RONALD (phrasing)], along with the home button that reveals a horizontal/vertical side panel of various metaphors.

The Stewdio (as a control console) consists of spacetime complexity controls that are used, more or less, to derive e:e statistics; it can synthesize (grooves+melodies), edit walks, run cassettes🧱, and perform other file-system management. The compositor provides stewcers with an ideal environment ( gameboard🎮🎹) for gameplay (ie. improvising strategies in bounded-error quantum polynomial time). Typical Stewdio usage is for a stewcer/player to draw up a play in 🧩puzzle-solving [ie. middlegame]. (see stewc notation, touch-and-go, krayon, yoyo, joey)
/// Layered over the interface are the fugue buttons and 🧑🏿lnq's bubblegum as the default ballet🩰.

Abstractly, if a brane could be synced across the Stewdio, it then would function like zero rng.
/// The Stewdio is an invention of 🧑🏿Link Starbureiy.🤓
Function map: Egglepple → ballet🩰 → Stewdio

/Stewpot🏁 [linker]

The Stewpot :== linker from all 2,028 stews. Attainment^[g] of the Stewpot is congruent to jailbreaking🪖🔓 stewellis🧑🏿.🏁 (see Q♭, stewpor)

"Task: capture the Stewpot in one day (F/T overflow^$)." - 🧑🏿lnq

$$ Each stew has an intrinsic ¢ent🪙 value that is worth $676.00 and there are a total of 2,028 stews, so the grand total of the 'Stewpot' comes to $1,370,928. Size-wise, uuelcoME's qubits, on average, are weighted at 253.5 stews (2,028/8) per.
/// 'Stewpot' is expressed both like a stew pot (pot of stew), and like jackpot (as in, "I hit the jackpot!"). The idea for the former is that players are gathering stews during gameplay; in the case of the latter, such acquisition is a good sign that you are on the way to winning (the gameshow).

/u-u economics [protocol]

Economist: 🧑🏿Link Starbureiy
u-u economics^{^}* :== identifying stews with parimutuelly 8×8×8 [384-piece] qubic cell scrambles. ^^ Minimax of moves per solve. ** ie. forms a qubit.

"In a scenario where your energy🔋 needs are growing, an 🔋energy budget is obliterated via tax rebate." - 🧑🏿lnq
/// Not having (or removing) an energy🔋 budget is the fastest way to scale Kardashev.

Because in twistorspace everything is symmetrical and dyadic (u,u), our parimutuel system (ie. a cryptocurrent between links), is reliant on 🔋e:e statistics (the interplay between hypercurrency and hypocurrency). So, structurally, the whole industry of Egglepple [portfolio: recto (EEE) ↔ verso (PPP)] implies that stewcing leads to the creation of ¢ents🪙 (generator), thereby securing🔐 [via crypto] its circuitry. (see quantumquotient, 🧑🏿lnq's walk, crypto compliance, c@$#tag, zero-bubble)
/// By definition, a currency is valuable whence weight can be assigned to its proof-of-work.
+¢ents get recycled♻.
+We have an economy/economic system precisely because we are using a jukebox. Like with any vending machine, you can have whatever you want [demand] (as long as it is available [supply]), you just have to pay for it.

Mechanics
Gameplay: (1) an asset (fibor) gets auctioned off until it becomes frictionless, (2) resultant cryptocurrency (links) is moved via c@$#tags.
In this economy (:= flow of transactions), the house (UUe) will 'purse' (and not 'bank') parimutuelly; transactions happen in curvilinear time (T).
Function map: fibor ⇒ UUelcome ← twist economics → quantumquotient

/stew

stew (stack e:e w) :== twistor batch*.** Most basic generator processing.

It is conjectured that Egglepple's movements [closed circuits] exist between amplitudes on a cryptograph. These motifs* - known as stews - are analogous to string tunings, and aid in the stereotypography of fibor.** Array of typefaces. (see font weight, font size, MONEY, fibor bundle, quantumquotient, UUelcome)

Ludologically, as the definitive endgame🏁, we are said to find a stew at the normalization of twistorspace where a dyad is an identity; that is, when an opus' measurable and permutable extrema [maxima] commute (ie. idempotent yield deviation ≡ 0^{^}).^^ That is, fret = 26¢ WITH handicap = ^$676.00. (see foam, link)

Cryptologically, a stew (an exploit) :== the transactor between the supremum and the infimum of hashes where the resultant is optimal/most secure🔐 (ie. transaction with no tax). Therefore, no fibor can be larger (in terms of twistorspace) than a stew.

According to jukebox operation (jbop) (rotisserie), the complete count* of stews (f) is simply ballet🩰 coordination in sesquilinear form, so f=1,352 [from encrypted (676) plus decrypted (676) classes] × 1.5 = 2,028 [comprising four dyadic types: 507 (integer-integer), 507 (half-integer-half-integer), 507 (integer-half-integer), 507 (half-integer-integer)].** Each opus leaf set contains three (3) stews as a statistical mean.
/// A full sequencing of the payload (UUelcome) should reveal all motifs [Q♭].

Each stew ['brane cell'] is some derivative monomer^{^} (ie. portfolio plot) of Egglepple [e:e statistics].^^ As a potential inflection point. Stews - which, concatenated, determine the size of a string - are the 'building blocks' measured📐 from twenty-six (26) keys (A-Z) [hashed from STU], which, when choreographed, construct a mesh. (see Stewniverse, residue, loopstring➿, link. Compare amino acid)
/// The stew may be an analogue of a specific polymer, typically a biopolymer (almost always a polypeptide). UUe stereotypes a preimage (some loopstring configuration) to this image.

Trivia
The stew is an invention/specification of 🧑🏿Link Starbureiy to outline how to throughput Egglepple in relation to UUe. This class of UX machinery is the first of it's kind in (the) industry.
Function map: pencil✏️ → γ-proof → stew