/random coil

Ludologically, the function of opening🔓 a loopstring➿ is processed seemingly random (random := state=yes ++ address=no).
/// As in each outcome has equal probability.

random coil :== the lowest-level [dim≤1] (unmapped) orientation of a brane. This unstructured position sample [an algebraic curve] is known* as its preimage (or illustrative state for both pitch and incidental tax determinance).** I label it 'scramble' or sometimes 'scribble'.

Instead of being a specific shape/pose, it is a statistical distribution of all populated conformations (albeit, strictly those lacking subunit definition). If each conformation (walk) has equal probability or weight, then such coil is the acoustically-approximated bounds of some twistorspace. (compare denaturation, contrast identity, thread)
/// +It is not uncommon to have multiple different coil(s) for the same opus/string.
+The orientation is that of algebraic curvature because topologically, random coils are random walks on curved surfaces. My given axiom is that encryption can be hidden in its algebra.
Function map: scribble → sponge

/opus

As it pertains to stewcing, an opus [technically, "opus number", as some quotient (1/2028) of the Stewpot] or developus :== a finite stew choreographical instance resulting in a completed typeface mutation. Plainly, an opus is the computation (ie. encrypting STU on a discretized brane*, subjugating some thread) of some partition of Egglepple (ie. movement).** Cellular automata

Each new opus (an event [game]) will commence at the request [draw] of its ballet🩰, thereby instantiating a unique node (trunk) on Big-O Tree. Opus conclusion occurs when its 🧩puzzle is solved, and should validate a fibor, which is to be then readied for kernel registration.

Depending on its texture, an opus may be referred to as an opera^@, operetta (diminutive), or opéra-ballet🩰 (ob).@@ Which is technically a kernel's logic path or operation (a walk involving non-impresarial decision-making).
/// Actually, an opus may overlap with, but is of a different genus than a developus.

An opus is a method of cataloging a stewc (much like with symphonies, operas, regular pieces, etc.). Publication assignment gives opus sets a maximum of six-hundred seventy-six (676) [corresponding to the alphabetical varietals of stew, (A-Z), in binary form]. For example^{^}, a work may be published as "Opus AB, Number 14" (written as Opus AB.14), where "Number 14" - is the fourteenth iteration of the ballet🩰 performed on the loopstring➿, "AB" (its port - the letters of the start and stop leaves, respectively).^^ Default opus is #LS.35[64].

For all intents and purposes, opus titles say, "font size by font weight". Each iteration itself may also be nested (eg. "Opus AB, no.14c"). (see toonage, mixtape)
/// Iterations are basically variations of pencil✏️ quantities, and by necessity, stew count. In nesting, we let p stand for 'pencil✏️', and s stand for 'stew'. The opus' title and number remain as is; they are established. The iteration only changes either the pencil✏️ or stew count. So, for example (purely meant to be hypothetical and unofficial), let Opus GU, No. 4 have a (830 x 4,116) tab. An iteration of this would be Opus GU, No. 4s2885, where the pencil✏️ count (830) is unchanged and the stew count has been reduced to 2,885. Or, we could have Opus GU, No.4p910, where the stew count (4,116) remains unchanged and the pencil✏️ count has increased to 910. Again, purely hypothetical.

/walk

walk :== some playable* spacetime complex folding algorithm (sequence of finite steps at fixed lengths).** Ludologically, some progression and its contrapuntal motion.

This is a plot/flow (ie. curvature) of a nut's path (a type of circuit as it would traverse the braneworld, indicative of current) with stochastic activity at specified movements (opening→middlegame→endgame). In all probability, walks chart a statistical distribution of their entropy (random variables transforming twistorspace).
/// Walks (as circuits) nessarily end in a charge (Q).
In proof theory, there are three (3) stages to a walk: (1) coil, (2) graphics, and (3) mesh.

We use walks as parse arguments in juking [stew choreography]. (see 🧑🏿lnq's walk, thread, sport, Pink Poem, route, tip, UUelcome)
/// In automation, walks are approximate source directives.
Function map: preimage → walk → image

/hypercurrency

hypercurrency is ¢ents moved by a vendor (think 'credit'💳). (Compare hypocurrency. See also hyperlink, stewc tax, 🧑🏿lnq's walk)

/tablature

tablature :== the table of frets (font sizes, 1¢ +) available to a given opus. It is indicative of a 'buy-in'* multiplier. You are buying time (1 token ≈ 1 minute [1000 ms]).

We derive the valuation as the logarithm with a base product of pencil✏️ count by font weight, and an (egg,epp) quotient (or, even simpler: handicap/2600). Complexity: P

/open string

By default, fibor always starts out as an open string [randomly coiled loopstring➿ with two (2) endpoints]*. The objective is to twist and thus efficiently close🔒 this string (a process known generically as folding).** Egglepple-wise, no instance exists where a string sits in freespace; endpoints are always attached to a membrane.
/// Open string is a game's definitive opening. (see yesegalo)

/probability density function

/probability theory

/probability space

/entropy (information theory)

/earl

earl™ (from "encrypted algebraicly-rational leaf") is UUe's systolic array. It uses cellular automation to batch process ellis. This is the Pink program's cantata.

earl "mutates" based on the transposition (inclusion/exclusion) of cells on the circuit.

In the theme of simulacra, earl is cellular (cyto) so as to be continually re-purposed for stereotyping stews.

Notes (+): + In other words, represent the compute layer for EGP calculations. + 'Cellular automation' refers to the behavior of networked core processors designed as a systolic array. + earl complements ellis. This is the subject's sonata.