$Lnq 👨🏿‍🦱: loopstring
👨🏿‍🦱
Showing posts with label loopstring. Show all posts
Showing posts with label loopstring. Show all posts

/random coil

Ludologically, the function of opening🔓 a loopstring➿ is processed seemingly random (random := state=yes ++ address=no).
/// As in each outcome has equal probability.

random coil :== the lowest-level [dim≤1] (unmapped) orientation of a brane. This unstructured position sample [an algebraic curve] is known* as its preimage (or illustrative state for both pitch and incidental tax determinance).** I label it 'scramble' or sometimes 'scribble'.

Instead of being a specific shape/pose, it is a statistical distribution of all populated conformations (albeit, strictly those lacking subunit definition). If each conformation (walk) has equal probability or weight, then such coil is the acoustically-approximated bounds of some twistorspace. (compare denaturation, contrast identity, thread)
/// +It is not uncommon to have multiple different coil(s) for the same opus/string.
+The orientation is that of algebraic curvature because topologically, random coils are random walks on curved surfaces. My given axiom is that encryption can be hidden in its algebra.

Function map: scribblesponge

/loopstring➿

loopstring➿, or l-string, :== a string of unstereotyped pencils✏️. Technically, l-string is a sesquilinear random coiling* of a 1-brane (which is) concatenated to and from specified reading frames (egg and epp), and subject to certain conditions (such as being gameplay-compliant).** As some measure of twistorspace.

The string may be open🔓 or closed🔒, but is closed by default (hence the term 'loop➰'). In fact, the main objective of each opus is to twist some variation of this object into a functionally unique fibor. (compare loop quantum gravity)
/// +In the context of the whole of string theory, the loopstring may colloquially be referred to as "toy string". We must be careful, however, to not confuse this "toy string" or its ludology (SL) with bosonic string theory (which is considered a "toy model" for which to introduce string theory education).
+I named it "loopstring" from 'loopy quanta' plus 'superstring', even though both terms are misnomers.


An argument can be made that l-string is a rudimentary automaton. It is hypothesized that all games are (or any game can be) based on and around some primitive manifestation of this object. Hence, when we want to study the ludology of any phenomenon, we could start with a drawn loopstring➿, and proceed from there. (see stew)

/bubblegum

bubblegum :== the name given to (a preimage of) fibor that is not optimal* (ie. false vacua).** Basically, not MONEY. It is/are (the class of) string combinations (yesegalo + groove/melody) whose fibril noncommutativity necessitate optimization (ornamenting of fugal themes).

We define bubblegum to be our "dilated vector space having everywhere-vanishing blowup points with boundary", and can easily determine it from being 'that which shares no equivalence relation with some assigned twistorspace (||inf > (u,u)=0|| OR ||sup < (u,u)=0||)'.

Bubblegum is used in encryption - as an improvisation method/tool to make MONEY - in hedging a given handicap [when bubblegum * (n) {n is finite number of pieces as ¢ents🪙} = handicap, then MONEY = yes], and thus, changing the tempo. (see 🧑🏿lnq's bubblegum, fibor bundle, swap, link. Compare protein quaternary structure)
/// +Bubblegum is probabilistically caused from half-integer statistics.
+'Bubblegum' is a metaphorically cohesive polymer, used to 'patch' things up so that MONEY can be made. Think of it (in a way) similar to bubblegum 'on the bottom of your shoe👟' that can be used to seal a leak, so to speak. (see spread)

Function map: bubblegumimproviseMONEY

/lyric

lyric :== a poetic appropriation resulting in proof. Each lyric is a loopstring➿ frequency [triangulated datapoint on a brane] assumed from folding.

The (lyrical) set itself is all twenty-six (26) fret spores (0-25) which includes two (2) chords: minor (group of prime numbers) and major (group of composite numbers).

/fibor

fibor :== an automaton that is a unique and totally twistable ||f(u,u)=0|| crypto mesh* (cluster) of links (L) which is subject to stewcing.** There are two (2) classes of fibor: MONEY and bubblegum. This is a tertiary (stereo) isoform of Egglepple.

Fibor^ is a functional component (dyadic fluctuator) of twist economics; hashed (from an algorithm of mathemusic) to output some image.^^ Each fibor is both its own structural formula and memory address. As part of the endgame🏁, we care mainly for the ludological aspect(s) of stewcing (topology, rhetoric, mechanics, etc.), as they relate to identification and function attribution. (see minor, major, fibor bundle, fibor mutation, stew, zero-bubble, walk, stewc tax)
/// +Mathematically, fibors are trivial zeroes (compared to stews which are non-trivial zeroes).
+Fibor is the 'print' (or vending) stage. This would be the total algorithm input assigned from stew choreography. Gameplay-wise, stewcers should aim to get here as quickly as possible.
+For purposes of imaging, the loopstring➿ may be a simple topological schematic, serving to illustrate some animation directive.
+Just to reiterate, our primary interests are not in figuring out the science (eg. chemistry, biology, physics, etc.) behind the folding (chemical bonding, dipole moments, things of this nature are left to such experts). We are chiefly concerned with "writing a playbook", so to speak, that will enable anyone to generate algorithms (plays) for configuring polymorphisms and coordinating meshes.
+We must be careful with our vocabulary. Yes, fibor is stringy, but it is not a requirement that it be physical, per se. It just necessarily assumes the properties (namely that it can vibrate in multiple dimensions) of strings as it propagates into worldspace. In this case, we are concerned strictly with string dynamics (incorporating the landscape vacua philosophy). However, fibor - in the mold of stew choreography - is open/closed in some arbitrary volume, whence it is attached to a dynamical mem(brane). Oddly, however, there exists a method to start with Planck data, and work our way up to normalization with g-folding.

Function map: minormajorfiborfibor bundle

/pitch

We refer to the intonation field of a brane (particularly an loopstring➿) as its pitch, or the pitch. In practical terms, this is simply the dimension (ie. length) of some random coil as measured in ¢ents🪙 [precisely, the measure between two (2) nuts]. (see port, key, coverage)
/// The pitch of the (subchem) yoke is Egglepple.

/mathemusic

Formulator: 🧑🏿Link Starbureiy
mathemusic :== the functional conflation of brane classes defined as 'an incorporation of keys and timing to perturb a sinusoidal, whose resultant is a γ-proof'.

This tends more towards being a supermathematical exercise grounded in the principles of music theory. However, it is practically expressing (with libretti) statistics in the framework of 🎵music (even sans sonically). Cryptologically, it is the algorithmic direction of variation*.** Solutions have melodic texture.

When we speak of mathemusic, we are generally doing so in the context of The Origamic Symphony🎶/Egglepple. (see ballet🩰, opera, ¢ent🪙, joey, mathletics, 🧑🏿lnq's Starting Five, 3-rex, fibor, UUe, stewc notation, QQ)

"All I hear is mathematics. All I see is music." - lnq🧑🏿


/// Contemporary mathemusic was originally formulated by 🧑🏿Link Starbureiy (its progenitor).🤓

/major scale

The major scale hosts* the secondary structure (STU encryption on primary structure) of Egglepple. Complexity: E ** In addition to residually defining the tertiary and quarternary structures. (see fibor, fibor bundle, meshroom🍄, lnq🧑🏿, groove, melody)

Function map: minor scalemajor scale → ... groovefiborfibor bundle

/stew choreography [neuroinformatics]

The art of stew choreography :== the process of stereotyping* (brane-folding) STU using fruut to keyframe [sequence/map by linking] stews.** Print the portfolio as a sponge. This is our "proof-of-work"~ concept [ie. stewcing exercise for 'meshing' UUelcome's cryptocommodity (¢ents🪙)], and should solve twistorspaces (via encryption).~~ And/Or 'proof-of-space'.

Per gameplay, stew choreography (or dribbling [endpoint control]&) forms a ➿loopstring's middlegame (ie. walk). The Stewdio is used natively [default] for improvising.&& String command. (see stewc notation, ballet🩰, Stewniverse, touch-and-go, 🧑🏿lnq's walk, joey)
/// +stew choreography is a type of animation (interpolation of frames).
+Such choreography is inferred by "the ballet of The Origamic Symphony🎶". The reason this ballet is necessary is to anticipate dividends. We say that stew choreography is "to γ-proof l-string".
+Any proof-of-work must be validated with a signature/handshake.
+Every single stew on a loopstring must be affected for a yield to be accurate.

Function map: random coilstew choreographyfibor

/fibor bundle

fibor bundle (a function of taxation and/or renormalization) :== two (2) or more fibors combined/connected, which itself forms another fibor. This is Egglepple's quaternary isoform. (see 💱swap, bubblegum, hyperlink, minor scale, major scale, coverage, foam)

Function map: minor scalemajor scalefiborfibor bundle

/string ludology

String ludology (commonly abbreviated SL), or "loopstring➿ theory" :== a formal attempt to game all possible twistor classes in mesh derivation per The Origamic Symphony🎶 (ie. extrapolate a playbook from superstring theory). Since γ-proofing is our objective, SL can be simplified to 'how to make ¢ents'.
TOS /// Conceptually, it is heterotic; borrowing from polypeptide folding mechanics, as well as from the mathematics of so-called string theory.

Claim
SL assumes that the foundation of any game (and stewcing in general) is based on a randomly coiled curvilinear path [string] which is subject to specific ludological constraints; namely that it is lyrically bound. (compare string theory)

/loop➰

Mathematically, a loop➰ :== a closed🔒 string with no knots🪢 or tanglements whose path initiates and terminates at the same point.

Ludologically, a loop➰ is a simple infinite walk (ie. circuit); such that it encloses leaves (reading frames) on a loopstring➿. In both cases, a loop➰ is continuous with either no nuts, or has homologically conjoined endpoints.
/// For sake of stew choreography, a loop➰ is just a completed walk that has become unavailable for recycling.

/foam (rotisserie)

(The) foam :== our subgroup where loopstrings➿ are lissome* (a potential precursor for stew assortment); it is the range (a normed vector space) of frets that are all worth no more than twenty-five pennies🪙 (1¢ - 25¢) on the rotisserie.** The majority (bulk) of all stewcing probably takes place in the foam, even though no fonts are to be found herein.
/// +I call it 'foam' because it's a small investment trapping where you can multiply your coupon.
+As a rule-of-thumb, the more twistorspace a string occupies, the more secure🔐 it is.

/minor scale

The minor scale hosts the primary structure [0-brane+yesegalo] of Egglepple. This is the raw state of STU decryption*; where pencils✏️ are subject(ed) to coloring, but loopstring➿ is yet to be value-assigned and/or taxed. Complexity: P** More like 'un-encrypted'. We only say "decrypted" because, technically, an encryption can in fact be decrypted/reversed. (see fibor, fibor bundle, SMALL brane)

Function map: minor scalemajor scale → ... groovefiborfibor bundle